Katanui Floorstand Handboard Stand

You can find this Katanui floorstand, among many other models, in our online
boutique: www.handpan.world
And more about the stand on our site:
https://www.handpan.world/products/raad-handpanstander-floorstand?_pos=1&_sid=101f09219&_ss=r

Handboard Stand Floorstand
Product
Katanui's Floorstand is a collapsible handboard stand for playing on the
floor. It is handmade of wood and created from the height so that you can play
your handpan sitting on the floor very pleasantly.
In addition, as a double use, it is wonderful for storing your handpan
scratch-free and giving it a better eye with the easy lifting from the ground.
This reduces the risk of damage, but above all, the beauty of your handpan
comes into its own even better, as if you simply put it where without elevation.
The floor stand is very small and therefore particularly light as well as
quickly collapsible and rebuildable. Overall, it is not only visually an
eye-catcher, but also functionally a real enrichment for every heart that beats
for handpans.

Suitability
The floorstand is suitable for handpans as well as tongue drums of all kinds.
Perfect sound, as little damping of the vibration due to small contact
surface. For comparison:
1. Contact surface on legs: approx. 500cm²
2. Contact surface on stand >10cm²
Ideal for horizontal storage as well as for playing on the floor or table.

Specifications
Height without pan 13 cm
Height with pan about 38 cm
Material: wood, foam rubber as contact surface
Required floor space for installation:
Diameter without pan 32 cm without pan
Diameter with Pan enstpricht Handpan diameter

About the Handpan.World network:

We are a cooperative of handpan enthusiasts, musicians, teachers and
instrument makers from all over Europe. Our approach is to bring the still
relatively young instrument further into the world together, to grow together
and to each other and to support each other.

It all started in the spring of 2019, when Emanuel, the main initiator of WoH,
set out to explore the creation of Hang instruments. He was so impressed by the
magic and the effect of the sound that the need arose in him to experience the
birth of the sound and to learn to build himself. So he came into contact and
exchange with some manufacturers throughout Europe and discovered an
undreamt-of variety of sounds. Because every sound sculptor has developed his
own approaches, processes and methods. Every decision a tuner makes when
building has an important influence on the final sculpture of the sound. That's
what makes the world of handpans so versatile.